A.P.Polo - Rose Croix 2.1 Framed Print Print

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A.P.Polo - Rose Croix 2.1 Canvas Print with Floating Frame

A.P.Polo - Rose Croix 2.1 in Canvas Print

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LIMITED EDITION of 50

A P POLO

# 400315

A.P.POLO - ROSE CROIX 2.1

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LIMITED EDITION of 50

A.P.Polo - "Rose Croix 2.1" - Hamburg (Germany) - New Media Art. Abstract, geometric, contemporary work that creates the impression of space through ...[+]

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Giclée Canvas Print

All our stretched Canvas are custom made on a Premium Fine Art Matte Canvas 410g/m2 1.5 Inch Thick wood for a real gallery look
Giclee printing with Pigment ink designed to meet galleries and museum longevity requirements and ensure consistency of shades 200 years old. [+]

A.P.POLO - ROSE CROIX 2.1 A P POLO Canvas Print

A.P.POLO - ROSE CROIX 2.1 A P POLO Canvas Print

A.P.Polo - Rose Croix 2.1 Wall Decor Frame

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Free shipping in USA and Canada

Stretched Canvas Print We ship in USA & Canada

Ready to hang - Stretched on 1.5" inch thick pine wood - Gallery style

Stretched Split Canvas

A.P.Polo - Rose Croix 2.1 Split Canvas print

36 x 36 triptych - split canvas
39 x 36 inches including space.
3X [ 12x36 ]
^$694

36 x 36 cross triptych split canvas
39 x 36 inches including space.
1X [ 12x36 ] 2X [ 12x30 ]
^$694

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Acrylic Print

Get a Modern piece of art with this vibrant Acrylic Print.
Fine Art made from a Premium polished, best-in-class, 99.9% optically pure acrylic and the latest Flatbed printing craftmanship.

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Acrylic Print with Floating Frame on the back

Printed to the edge & Ready to hang. With a floating frame on the back and hanging wire

1/8" thickness

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Acrylic Print with Stand off

Printed to the edge - Ready to hang - provided with 4 premium polished aluminum stand off ( wall screws and mounting hardware provided )
We suggest a thicker 3/16" acrylic for any size over 42 inches to guarantee a straight acrylic, without curvature

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3/16" thickness

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Multi Panel Acrylic Print

Brushed Metal Print / Smooth White Metal Print

Brushed Metal Print

Smooth White Metal Print

The areas of the photograph that are white or very light are not printed The white areas appear metallic.
Robust, very light and provides an amazing aluminum lighting effect [+]

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Brushed Metal Print with Floating Frame on the back

Printed to the edge & Ready to hang a floating frame and hanging wire

Brushed Metal Print with Stand off

Printed to the edge - Ready to hang - provided with 4 premium polished aluminum stand off ( wall screws and mounting hardware provided )

Brushed Metal Print with high gloss Epoxy Resin Coat

With a Back Floating Frame and we manually apply an Epoxy Varnish for an amazing lighting effect

Direct print on metal to provide a white smooth satin finish with controlled light reflection.
Robust, very light and provides a Matte effect [+]

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White Metal Print with Floating Frame on the back

Printed to the edge & Ready to hang a floating frame and hanging wire

White Metal Print with Stand off

Printed to the edge - Ready to hang - provided with 4 premium polished aluminum stand off ( wall screws and mounting hardware provided )

Multi Panel Metal Print

HD ChromaLuxe Sublimation High-Gloss Metal Print

A.P.Polo - Rose Croix 2.1 HD Metal print with Floating Frame on Back

A.P.Polo - Rose Croix 2.1 HD Sublimation Metal print

A.P.Polo - Rose Croix 2.1 HD Sublimation Metal print with Decorating Float Frame (BOX)

Color brilliance, superior durability and archival qualities
This artwork is produced on a dye sublimation Chromaluxe high-definition metal panel

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Sublimation Hi-Gloss White Metal Print with Back frame

Printed to the edge & Ready to hang a floating frame and hanging wire

Sublimation Hi-Gloss White Metal Print with Decorating Floating Moulding (Black)

Inside a decorating frame (Box) - Black Floating Frame

Multi Panel HD Metal Print

Wood Print

Printed with UV cured inks providing an incredible high quality printed image which is scratch resistant with colors that will not fade overtime.
White and lighter areas are not printed on the wood, revealing the beauty of the wood’s texture and natural beauty!
Printed on 3/8" (9mm) thick and strong and durable Russian Birch wood which is ready to hang and enjoy! [+]

30 days satisfaction guaranteed
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Wood Print with Back Frame Mount

Printed to the edge & Ready to hang a floating frame

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Multi Panel Wood Print

Roll Print

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Giclée Roll Canvas Print
Printed on Fine Art Matte Canvas Paper - Provided inside a Strong mailing tube [+]

Premium Acid Free Giclée Poster Paper
Printed on Photo Satin Paper - ( Poster ) Provided inside a Strong mailing tube [+]

Giclée Art Matte Paper Print
Printed on a Premium Archival Matte Paper with a smooth texture & neutral-white - Provided inside a Strong mailing tube [+]

Mural Print

Easy to Install. Washable & Repositionable Self-Adhesive Vinyl [+]

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Our wall murals are produced on printers with Outstanding photographic print quality & durability Extreme image resolution : photographic image quality with the largest color gamut in its class

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Our Wall Mural Print is removable without any damage to your walls. Easy to change or remove. We are using a premium 6 mil auto-adhesive vinyl with a subtile linen-cotton canvas texture.
Change the look and feel of a room without the hassle of traditional wallpaper. Our wall murals print are the perfect solution to easily enhance any residential or commercial space alike!

Repositionable self-adhesive vinyl delivered in strip of 35 to 45 inches of width and slightly overlap for easy installation.
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Custom Framed print

Get this artwork "A.P.Polo - Rose Croix 2.1" in a framed print.
Fully customizable - at the exact size you want. Select paper type, glass, matte and decorating frame
Start building your custom framed print by selecting one the following moulding:

A.P.Polo - Rose Croix 2.1 Picture Frame Printing

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Standard size framed print

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28 x 28"

28 x 28" Framed Print

Printed Area: 24 x 24"
Total Inside area: 28.00 x 28.00"
White Border: 2" on each side
Frame Width: 1.25" on each side
Total Physical dimension: 29.25 x 29.25"

Frame model: 832-745
Printing method: 1200dpi UV cured ink on fine art matte board
Ready to hang with wire at the back

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Wall Clock

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This artwork is Made with high-quality acrylic Ready to hang.

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Clock mechanism with a Precise quartz movement. Battery included
Available in Square or Round format
Available in 12" 16" 24" sizes

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File resolution: 10000 x 10000 pixels

ABOUT A P POLO
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ABOUT THIS ARTWORK: A.P.POLO - ROSE CROIX 2.1
A.P.Polo - "Rose Croix 2.1" - Hamburg (Germany) - New Media Art. Abstract, geometric, contemporary work that creates the impression of space through the skilful use of light & shadow, while at the same time giving the viewer a feeling of warmth through the use of colour. Concrete art was an art movement with a strong emphasis on geometrical abstraction. The term was first formulated by Theo van Doesburg and was then used by him in 1930 to define the difference between his vision of art and that of other abstract artists of the time. After his death in 1931, the term was further defined and popularized by Max Bill, who organized the first international exhibition in 1944 and went on to help promote the style in Latin America. The term was taken up widely after World War 2 and promoted through a number of international exhibitions and art movements. Op art, short for optical art, is a style of visual art that uses optical illusions. Op art works are abstract, with many better known pieces created in black and white. Typically, they give the viewer the impression of movement, hidden images, flashing and vibrating patterns, or of swelling or warping. Rosicrucianism is a spiritual and cultural movement that arose in Europe in the early 17th century after the publication of several texts that purported to announce the existence of a hitherto unknown esoteric order to the world and made seeking its knowledge attractive to many. The mysterious doctrine of the order is "built on esoteric truths of the ancient past", which "concealed from the average man, provide insight into nature, the physical universe, and the spiritual realm." The manifestos do not elaborate extensively on the matter, but clearly combine references to Kabbalah, Hermeticism, alchemy, and Christian mysticism. The Rosicrucian manifestos heralded a "universal reformation of mankind", through a science allegedly kept secret for decades until the intellectual climate might receive it. Controversies arose on whether they were a hoax, whether the "Order of the Rosy Cross" existed as described in the manifestos, and whether the whole thing was a metaphor disguising a movement that really existed, but in a different form. In 1616, Johann Valentin Andreae famously designated it as a "ludibrium". Some scholars of esotericism suggest that this statement was later made by Andreae in order to shield himself from the wrath of the religious and political institutions of the day, which were intolerant of free speech and the idea of a "universal reformation", which the manifestos called for. An example of the rosy cross symbol predating the early Rosicrucian manifestos is that shown on the central panel of the Harbaville Triptych, which is Byzantine and comes from the 10th or 11th century. The symbol is a Calvary cross with a rose in its centre, which is identical with what the masonic/rosicrucian scholar Manly Palmer Hall claimed to be the original symbol of the rosicrucians. In his work "Silentium Post Clamores" (1617), the rosicrucian Michael Maier (1568–1622) described rosicrucianism as having arisen from a "Primordial Tradition" in the following statement: "Our origins are Egyptian, Brahmanic, derived from the mysteries of Eleusis and Samothrace, the Magi of Persia, the Pythagoreans, and the Arabs." By promising a spiritual transformation at a time of great turmoil, the manifestos influenced many figures to seek esoteric knowledge. Seventeenth-century occult philosophers such as Maier, Robert Fludd, and Thomas Vaughan interested themselves in the Rosicrucian world view. According to the historian David Stevenson, it was influential on Freemasonry as it was emerging in Scotland. In later centuries, many esoteric societies have claimed to derive from the original Rosicrucians. Rosicrucianism is symbolized by the Rosy Cross or Rose Cross. The largest and most influential of these societies has been the Hermetic Order of the Golden Dawn, which consisted of several well known members of society. The other is the Rosicrucian Order, A.M.O.R.C, an international, initiatic Fraternity, which involves itself in several educational and cultural activities worldwide. Between 1614 and 1617, three anonymous manifestos were published, first in Germany and later throughout Europe. These were the Fama Fraternitatis RC (The Fame of the Brotherhood of RC, 1614), the Confessio Fraternitatis (The Confession of the Brotherhood of RC, 1615), and the Chymical Wedding of Christian Rosicross anno 1459 (1617). The Fama Fraternitatis presents the legend of a German doctor and mystic philosopher referred to as "Father Brother C.R.C." (later identified in a third manifesto as Christian Rosenkreuz, or "Rose-cross"). The year 1378 is presented as being the birth year of "our Christian Father", and it is stated that he lived 106 years. After studying in the Middle East under various masters, possibly adhering to Sufism, he was unable to spread the knowledge he had acquired to prominent European scientists and philosophers. Instead, he gathered a small circle of friends/disciples and founded the Rosicrucian Order (this can be deduced to have occurred around 1407). During Rosenkreuz's lifetime, the order was said to comprise no more than eight members, each a doctor and a sworn bachelor. Each member undertook an oath to heal the sick without accepting payment, to maintain a secret fellowship, and to find a replacement for himself before he died. Three such generations had supposedly passed between c. 1500 and c. 1600: a time when scientific, philosophical, and religious freedom had grown so that the public might benefit from the Rosicrucians' knowledge, so that they were now seeking good men. The manifestos were, and continue to be, not taken literally by many but rather regarded either as hoaxes or as allegorical statements. They state: "We speak unto you by parables, but would willingly bring you to the right, simple, easy, and ingenuous exposition, understanding, declaration, and knowledge of all secrets." The first Rosicrucian manifesto was influenced by the work of the respected hermetic philosopher Heinrich Khunrath, of Hamburg, author of the Amphitheatrum Sapientiae Aeternae (1609), who was in turn influenced by John Dee, author of the Monas Hieroglyphica (1564). The invitation to the royal wedding in the Chymical Wedding of Christian Rosenkreutz opens with Dee's philosophical key, the Monas Hieroglyphica symbol. The writer also claimed the brotherhood possessed a book that resembled the works of Paracelsus. Adam Haslmayr a friend of Karl Widemann wrote him a letter about Rosicrucian people who revealed the Theophrastiam[clarification needed] 24 December 1611. In his autobiography, Johann Valentin Andreae (1586–1654) claimed that the anonymously published Chymical Wedding of Christian Rosenkreutz was one of his works, and he subsequently described it as a ludibrium. In his later works, he makes alchemy an object of ridicule and places it along with music, art, theater, and astrology in the category of less serious sciences. According to some sources, his role in the origin of the Rosicrucian legend is controversial. But according to others, it was generally accepted.

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